Hasselblad realeases Phocus V.1.2 for Mac

by JamesNYCJune 4. 2009 08:24
Release of Phocus 1.2 for Mac
Phocus 1.2 for Mac has been released and features a number of major enhancements!
Version 1.2 has been improved dramatically with regards to speed and performance, plus been endowed with several new features and workflow enhancements.

Speed and Performance
  • Improved tethered capture performance
  • Improved export speed
  • Improved viewer performance
  • Grey scale tool
  • Navigator tool
  • Export direct from 3FR raw file
  • Export to PSD 8 & 16 bit
  • Improved viewer sharpness
  • Ejecting of volumes from file browser
  • Custom Date format via name preset
  • Tool bar control for show/hide options of main window
  • Improved print functionality

  • Hasselblad - Warning concerning use of 32 GB CF Card

    by JamesNYCFebruary 20. 2009 07:58
    Hasselblad hereby advices you NOT to use 32 GB CF Cards in our products, until further notice.
    At the present time we have verified that images shot on such cards with the H3DII-50 will be corrupted. We have not had this issue reported using any other type of Hasselblad camera, but as a precaution we temporarily recommend all our customers NOT to use 32 GB CF cards.
    The issue is not related to certain makes of 32 GB CF cards, but is universal.
    We will provide further information as soon as we know a time frame for the solution to this issue.
    Please accept our apologies for any inconveniences caused.

    Best regards
    Hasselblad USA

    Digital Rail Road closes

    by JamesNYCOctober 29. 2008 03:53
    As we reported over the weekend, Digital Rail Road was probably not going to make it to the end of the year.
    So it comes as no surprise that they shuttered operations today.http://www.digitalrailroad.net/

    In response Photo Shelter has an offer for DRR customers.


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    8X10 with out a net.

    by JamesNYCAugust 14. 2008 09:39
    I got a call last week from a photographer friend of mine for an 8X10 shoot.
    This was to be a fine art shoot that would take place in a burned out building with out air-conditioning.
    While we had plenty of film for the shoot (FUJICOLOR PRO 160S PROFESSIONAL), but we came to find that Polaroid 8x10 could not be found anywhere in or around NYC.

    The lack of Polaroid and use of hot-lights for the shoot presented an interesting scenario.
    This would require what some would consider the “old school method” metering every part of the set to see exactly where the lights were falling off, and where the hot spots were, and balancing the ratios across the set.
    Now let me interject and respond to those asking “Why not just shoot digital?”
    1) It’s what the photographer wanted.
    2) 8x10 was the right tool for the job.

    While this may not sound like much fun to some people, I live for this stuff
    Since we didn’t have Polaroid we at least had some latitude that shooting C-41 offered. After metering we shoot ? stop open from meter, plus the ½ stop compensation for a slight bellows extension. So because we were essentially shooting blind we did do a 2 sheet bracket, plus ½ stop open for the second sheet, for all of the shots that day.
    Did I mention that we were shooting in Jersey?
    This meant that we wouldn’t have the opportunity to see the film until later the next day; and since we were again on set first thing in the morning we still didn’t have the option to view the results of the first day until we brought in the film later that day.
    SO what we did was to have the lab contact print the negs and scan 3 with a flatbed scanner and email the JPG’s to use. This worked pretty well for the photographer as he got to see that he was getting what he wanted. While looking at the JPG’s I noticed that the even though the images looked great, I could still see a hint of the film base on the contact sheet. This meant that even with over exposing by nearly 2 stops we had to over expose more. Having this new information made shooting the second day a little less stressful.


    "I don't hire women" and other sexist comments.

    by JamesNYCAugust 13. 2008 09:21
    As I have stated in some of my other writings, based on my observations there is an unspoken fact about the commercial photo industry; that being the degree of sexism and racism that exits.
    This despite it’s perception of being all inclusive and populated by progressive thinking artists’.

    This was again brought to my attention about two weeks ago when a female assistant emailed me from the west coast.

    While she didn't go into graphic details, the content and structure of the email conveyed the level of stress and anxiety she was feeling. I answered her email as best I could but suggested she call me to speak of her experiences further.

    She called 2 days later. During the conversation, she recalled her experiences of the past year. She had been told "I don't hire women." Despite having the same level of experience and skill sets, was paid less than other assistant for the same job. Among other choice comments, she has even been told "..well, I pay the men more because they work harder.."
    It should also be pointed out that women photographers are often just as discriminatory towards female assistants.

    Aperture 2.1 launch issue when running Phocus 1.0

    by JamesNYCJuly 7. 2008 09:44
    If you encounter problems with Aperture 2.1 while running Phocus 1.0, the information provided in this mailing is relevant to you :

    The issue:
    When Phocus 1.0 is launched it will check whether the necessary ICC profiles are present and if not they will be installed. Unfortunately due to an OS bug related to 64 bit applications this leads to a partly corrupted ColorSync profile cache which will prevent Aperture 2.1 from launching.

    The solution:
    In most cases the issue can be fixed by following these steps:

    1) Phocus installs 3 profiles:
    Hasselblad RGB.icc
    Hasselblad 330Skel 30K75.icc
    Hasselblad 350Skel 30K90.icc

    For users with administrator rights they will be located in /Library/ColorSync/Profiles - otherwise you can find them in /Library/ColorSync/Profiles.
    Drag these 3 profiles to another location - for instance the desktop.

    2) Aperture should now be able to launch without problems - verify that and quit Aperture.

    3) Drag the 3 Hasselblad profiles back into the Profiles folder

    4) Launch Aperture again - this should still be possible without any issues

    After completing these steps you can now run Phocus without triggering the issue again.
    Apple is working on fixing the OS bug, but it is still present in 10.5.4. For the upcoming Phocus 1.0.1 release we have been able to implement a workaround so that it will not trigger the issue during profile installation.
    Best regards,

    Hasselblad USA
    Technical Support

    We look at the Shoot Sac

    by JamesNYCApril 6. 2008 09:33

    Back in October we told you about a really cool new camera bag we had seen while attending the PhotoPlus Expo in NYC I came upon the booth of a new product called Shoot Sac.

    This new company was doing a brisk business at the PhotoExpo and the idea of a photo gear bag that didn’t look like your grandfathers camera bag was very appealing. So I called them up to see about getting a sample to review for the site. Ok so I’m a little late in making this post, by about 3 months… but I think it’s still worth talking about again.
    The Shoot sac is a light weight bag with an adjustable nylon strap similar in design to a bike messenger bag that is made out of 3mm neoprene and measures roughly 17” in length and 9” tall.

    The bag was initially designed to be useful for wedding and event photographers as well as others who need quick access to their lenses. While it’s not a replacement for a regular camera bag it would be a great location bag for photographers, assistants and digital techs whom on location might need to quickly throw a bag together with lenses and other gear for that quick run down the beach, or the photographers sudden need to leave that location you’ve paid to use in order to shoot in a location that he knows he’ll get kicked out of; or that quick trip in a zodiac to shoot on the side of a volcanic island.

    As you can see in this photo, the bag stays close to the body which makes it not even appear to be a camera bag. This is probably a great idea for paparazzi or other situation where some semblance of discretion is mandatory.

    The Shoot Sac comes in basic black but replacement covers can be ordered in a variety of colors, designs and fabrics.
    One of the esthetic advantages of the Shoot Sac is the ability to change the bags cover flap which is attached by a strip of Velcro. This is simple enough with a quick pull on the Velcro and you can replace the covers or remove it all together.

    The Shoot Sac has three pockets in the front and three in the back.


    The back pockets use snaps as a method of closure, and the front are protected by the detachable cover flap.

    This bag is really well made and for those wanting or needing to have an alternative photo bag this light weight bag makes a great option.
    On some levels the Shoot Sac’s purpose is one of form over function.
    However having said that I filled it with some heavy items around the house and gave it some abuse. This included dropping it from 6 feet, banging against the walls while running up the stairs, swinging it into a wall as if by accident, and the result was that nothing was damaged, including the bag.
    (NOTE: no actual photographic equipment was used during these tests.) The sales team I spoke with were primarily selling to the DSLR photographer demographic.
    But I wanted to see what practical application this bag could have for the commercial photographer that doesn’t shoot weddings or events.
    So during one of our Digital Tech workshops a few months ago I filled the bag up with some typical Medium format digital gear.

    This included:

    2 – external Firewire drives

    2 – 15’ Firewire cables

    1 – 30’ Firewire cable

    1 – USB cable

    1 – Hasse 120mm lens

    1 – Hasse 150mm lens

    1 – Mamiya 140mm lens

    6 – CF cards

    1 – CF card reader


    So here’s my take on the Shoot Sac.

    Pros:  It’s Lightweight, good looking, offers better than average protection to expensive equipment considering its thin appearance. The stitching looks pretty secure. Holds a good amount of equipment for short limited location situations

    Cons: Currently the Shoot Sac comes in only 1 size, it could really use a shoulder pad because the shoulder strap falls off the shoulder every 30 seconds unless you walk leaning to one side. The current Velcro strip that holds the cover flap should be replaced with an industrial version. It’s just too easy to remove the flap or for it to accidentally get pulled off.

    The addition of a Velcro strip or clasp on the front of the bag would be nice so that should the bag ever fall off your shoulder your lenses won’t fall out. The snaps on the back too need to be replaced with a more heavy duty version. The current snaps on the bag I received looked like they would pull off after a very short time. While it’s a great idea to have a replaceable cover flap it would be nice if this flap actually cover the entire width if the bag.  As seen in the photo there is a fair amount of space on both sides that should a photographer ever get caught in the rain (like that ever happens) everything in the Shoot Sac will get a fairly good soaking. Double stitching all around would be a nice option along with wider pocket separators. The hardware for connecting the shoulder strap looks pretty but also looks like it would have a short life expectancy; so stronger materials would be a priority.  For $179.00 all of the above issues should all be corrected.

    Final thoughts: From my listing of ‘Cons’ you might think that I don’t care for the Shoot Sac.

    Not So! I honestly think that this is a must have for the many situations over the years where I really could have used one of these. I only wish that I have invented it.

    Price: $179

    Further information: www.shootsac.com


    ShootSac responds. Hi James! I just read the review you posted, thanks for that! It's nice to see people trying out the Shootsac in different ways than we even intended... we've had reports of people using it for all types of things (it even carries a six pack quite nicely). I did want to mention one thing to you, though. In the review you stated that the bag falls off the shoulder easily unless you walk with a tilt. The Shootsac is actually intended to be worn messenger bag style... with the strap going over your head and resting on the opposite shoulder. This would not allow for the bag to ever fall off or allow any of the contents to fall out. This also would take care of the issue of needing the flap (which is mostly for dust protection and aesthetics, as well as being a lens cloth is you have one of our designer covers) to secure down via velcro. We wanted the bag to be the fastest and easiest to get into and change your lenses out of... so securing the flap was against that. Anyhow, I just wanted to express my appreciation for you taking the time to examine and review our product, and to make you aware of the intended use of the Shootsac. I hope this clears up a little bit of what seemed to be negative aspects to you, and hopefully it will allow you to be more confident in using the bag yourself. I can certainly see why it would seem easy to fall if it was being worn straight off the shoulder! :)

    Job_folders app V.3.2

    by JamesNYCFebruary 7. 2008 09:19

    Hi James,

    I've just updated Job_folders app to create folders that have the structure more like C1. I've found this to be more convenient..... even for Leaf users. 

    http://www.rap.net.au/?p=10 Please feel free to include it in your next news letter. Cheers Rick

    A Phase One - Medium format camera to be released in Feb / March.

    by JamesNYCJanuary 7. 2008 08:41
    While speaking to an industry contact / friend this morning I found out that the new Phase One / Mamiya alliance is expected to bare fruit in the next 2 months

    This new medium format camera will be based on the Mamiya 645 system.

    It will present a new series of lenses, and feature faster auto focusing, and unlike other systems it will allow for the use of third party digital backs, and roll film backs. So one day you can shoot with a Phase back and then the next change to a Leaf back if you wish, or even shoot film all with the same body and lenses. This is a direct response to the Hasselblad "Integrated system" and the Leaf AFi & Sinar Hy6 (both essentially the same cameras).

    This should be very interesting since neither the Leaf AFi or Sinar Hy6 are yet available to the market. It will be interesting to see where people choose to place there investments.

    As soon as I can get a hold of this new camera I will post more.

    Phase One & Mamiya. Yet another

    by JamesNYCNovember 15. 2007 21:32
    Phase one announced their new "Strategic alliance" with Mamiya yesterday.

    "Phase One and Mamiya together are committed to equipping photographers with what they need to surpass even their most passionate visions and enjoy the process," said Henrik Håkonsson, CEO of Phase One. "Phase One is committed to open modular systems thus supporting photographers’ full freedom of choice." This answers the question as to which camera company with be accepting Phase One backs now that Hasselblad has chosen to build their "Integrated" and many say Closed system with the release of the H3D system.
    This too is the second "Strategic alliance" by Phase One in the last 14 days.. Previously it was their Microsoft alliance as of 11/1/2007.
    These two moves further strengthen Phase Ones already dominant 60% Digital Capture market share by offering greater medium format camera options primarily pro-summers but also to professionals; and in providing a lower cost medium format camera system that will work with the Phase One P+ series digital backs.
    This certainly will continue to make it more cost effective for young photographers, photo assistants, photo students and pro-summers to gain access to the tools used for high-end digital capture with out needing to sell a kidney or take out a second mortgage. While Phase One digital backs have always been an option with Mamiya cameras; either via a dedicated digital back for the 645 AFD or by using an adapter plate such as the ones used for the Mamiya RZ Pro II and Pro IID cameras there are now clear indications that a new Mamiya/Phase cameras is in the works. ".... 'They' have been working on something for some time..".
    Also a series of digital lenses is said to be in development. "...there is clearly an opening for 'Other' German lens manufactures to provide high quality lens options for the current or up coming Mamiya systems." ".. the possibility for there to be a series of high-end lenses in the some what near future is extremely good,.. actually it is extremely likely..."
    Mamiya has been a dominant player in professional commercial photography for years and is ubiquitous on many fashion , catalog, and advertising shoots around the country.
    The Mamiya 645 was the workhorse of choice before the Contax 645 came on the scene about 12 years ago. and now that Contax is gone and Hasselblad has focused on it's integrated system; Mamiya is still there waiting to be picked up and used again just like that old 68' Nova that sits parked in the street, and seems to be the only car that will start first thing in the morning in the dead of winter.
    So where is Capture 1 Pro V.3.7.8 ?
    "Yeah, it'll be out next week" , "Yeah, it'll be out next week" , "Yeah, it'll be out next week" , "Yeah, it'll be out next week" ... (Phase One internal response.)
    Ok. you'll be able to stop holding your breath MAYBE, sometime during the first week of December.
    Expect a few changes, mostly in terms of improved stability.
    DO NOT expect support for OS X Leopard, "...if there is any improved support it will be 'Iffy at best'..." This a a direct quote from one of my Phase One sources

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